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-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.Dedication and self-transcendence motivation-cross-era enlightenment: its significance is not limited to Gong Zizhen's era. Even after a long time, it still has a profound enlightenment. In all fields of today's society, whether educators do their best to train the next generation, or researchers are willing to sit on the bench and devote their efforts to promoting scientific and technological progress, or countless ordinary workers stick to their posts and shine, we can find spiritual reflection from this poem. It reminds people that the value of life lies not in temporary gains and losses and position, but in being able to pay and contribute continuously, transforming personal strength into nutrients to promote social development and nourish the growth of beautiful things, and inspiring generations to make unremitting efforts to realize the unity of personal ideals and social values.

-The technique of expressing one's will by holding objects shows that the whole poem expresses one's aspirations and feelings through the concrete thing of "falling red", ostensibly describing the destination and value of falling red flowers, but in fact expressing one's grand ambition of being willing to contribute despite setbacks and eager to exert afterheat for the country and society, which makes the poem contain extremely rich and profound connotations in a short space and enhances the artistic appeal and ideological height of the poem.-The meaning is profound and unique: "Turning into spring mud is more protective of flowers", which shows that the fallen flowers do not fall without feelings. Even if they fall into mud, they should turn into spring mud that nourishes the growth of flowers, continue to protect and cultivate new flowers to bloom, show a noble feeling of selfless dedication and self-sacrifice, and at the same time convey the profound philosophy that although life has an end, spirit and value can be continued and transformed.Cultural connotation level

The metaphor is vivid and appropriate: compare yourself with the fallen flower, and compare yourself with the fallen flower that leaves the branch, and the image is natural. At the same time, the behavior of continuing to contribute to the country and society is likened to falling flowers turning into spring mud to protect flowers, and the abstract emotions and wishes are vividly visualized, which makes it easy for people to understand and deeply feel the poet's spiritual realm of not changing his initial dedication even if he is in trouble and out of his original position.-Conforming to traditional values: In China's traditional culture, there has always been the idea of "helping the world if you are up to speed, and protecting yourself if you are poor", as well as the value orientation of advocating dedication and paying attention to spiritual inheritance. Gong Zizhen's poem fits in well with this cultural background. He still chooses to practice the concept of "helping the world at the same time" in another way when he is frustrated personally and can no longer directly display his ambition in the officialdom. He shows the spiritual quality of selfless dedication by self-metaphor, which echoes the feelings of home and country and the sense of responsibility held by people with lofty ideals throughout the ages. Therefore, this poem can arouse widespread resonance and is deeply loved and respected by people.Image and ideographic level